Aereo, SCOTUS, and the Cloud

aereo_scales-justice_content-2__largeThis week the Supreme Court of the United States (“SCOTUS”) heard oral argument in American Broadcasting Companies, Inc. v. Aereo, Inc. Aereo, a startup with nearly $100 million in funding, lets subscribers view live TV through a tiny antenna that can be controlled over the Internet and on mobile devices. The case is one about copyright infringment, and a key issue is whether Aereo is engaged in the “public performance” of copyrighted material. If Aereo loses, it is unlikely it has a tenable business because the licensing fees it would have to negotiate and pay to TV stations would be crippling. The larger concern is whether, if Aereo loses, it would any longer be permissible for cloud services, such as Amazon’s MP3 locker or Dropbox, to allow users to store copyrighted material and then reproduce/call the material from the provider’s servers to the user’s computer.

In light of the drama I looked back at my early thoughts about Aereo, which I shared over email in July 2012. My thoughts on the business case have evolved some since, but it was a fun exercise anyway. Here is the [slightly] edited email:

“I’ve been a proponent of TV anywhere for some time.  I . . . think a 3rd party, [rather than content] programmers or cable distributors, will play a vital role in making it a reality.  The problem with operators like Comcast being the source of TV anywhere is that they are still forced to ink deals with the programmers under the same expensive terms since their current, traditional deals would be put in jeopardy if Comcast tried something more innovative or consumer friendly. 
Between Aereo and Nimble, it is a tough call.  I worked with Chet [Kanojia] (CEO at Aereo) when he sold Navic to Microsoft. With his TV business expertise and [Barry] Diller’s backing, I think Aereo is well positioned. . . If the goal is to get consumers to cut off their cable service providers, consumers will need the combination of Hulu, Netflix, HBO Go and Aereo to fulfill all their viewing needs.  It seems that so far Aereo only gives viewers freely available networks (~20 channels).
[As for Nimble,] on one hand all it does is supplement current cable subscriber’s viewing experience by allowing them to have already-paid-for TV on the go, much like Sling Box.  On the other hand, I suspect Nimble is also trying to provide non-subscribers with access by using Nimble-registered cable accounts to rebroadcast channels to Nimble users.  This type of intermediary behavior was expressly prohibited by Sling Box’s terms of use because of copyright concerns.
Legally, if Nimble pursues the latter model, it stands the risk of being shut down.  Using music streaming as analogy, it would be in the netherworld of Grooveshark.  However, without the latter model, I don’t see much value in a service that merely acts as a portable DVR.  Cable providers can easily replicate that service.  Continuing the music analogy, Aereo is like Pandora because it seems technically to abide by copyright law by using a separate antenna for each user on its service and thereby, not publicly rebroadcasting channels.  The sacrifice is that it [provides] . . . a less customized product [or slate of channels than Nimble].  Finally, I would equate TV anywhere efforts by the likes of Comcast to Spotify because both services require making costly deals with resistant content providers.
Overall, I’m skeptical about Nimble.  But if it is legal and inexpensive, the opportunity to disrupt artificial geographic territories and customize content is the bigger opportunity.  Otherwise, I’d bet on Aereo as the natural evolution toward filling the web TV gap and disconnecting from cable operators.”
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LOST: A Business Allegory

As one of my favorite shows ever comes to an end tomorrow, I felt a need to make a tribute in my own small fashion.  The most impressive feature of LOST (yes, always in all caps) was its ability to maintain a connected, though at times meandering, story arc on a major network over the course of six seasons.  It is rare for a show I like to go out at a point when I am still as interested as I was when I first started watching it.  Sadly (on a couple of levels), there will be a void in my life after Sunday night.

LOST earned repute among its fans for constantly weaving its themes and motifs throughout episodes and seasons.  In that vein I wanted to make a tribute to the show that incorporated the recurring ideas and themes of this blog.  Much of my experience and interests lie in business, finance and startups.  If imaginatively interpreted, LOST can provide us an allegory for these subjects.  The following expatiates the roles various characters and objects played in the show’s economic ecosystem:

  • Candidates / Companies (Startups): Our beloved main characters were on the island for a purpose unbeknownst to them and us. We eventually find out that they are there as candidates to replace the current protector of the island.  We root for them.  We empathize with their pain.  We smile with their successes because when they win, we the general audience win.  Startups in some form improve an aspect of civilization, albeit for a profit, and it is often for the greater good.  The characters of LOST, for its legions of followers and for the island’s well-being, provide a similar service.
  • Jacob / Venture Capital: Introduced early in the series but only making an appearance in the last episode of season five, Jacob is perhaps the most influential character on the show.  He is well intentioned and wants to give all the characters on the show a chance to succeed through their own decisions and actions.  He has a vested interested in all of them and guides them on their missions.  However, they ultimately  need to fend for themselves.  Jacob is Venture Capital.  After investing in their portfolios companies venture capitalists certainly have an influence on the big operational and funding decisions, but it is up to the companies to execute on their own.  Even though the two parties’ interests are not always perfectly aligned, like a parent to a child (or like Jacob to the candidates), venture capitalists wish the best for the companies.
  • The Island / Consumers: The island is us.  It is the consumers of our economy.  It is a moving target, which is why it eludes so many including people like Widmore who never seem to be able to find it.  The island is hard to reach.  It must invite you. Consumers are often difficult to reach, and customer acquisition and distribution plague many startups.  Finally, the island travels through time.  Similarly, timing is so crucial with consumers.  Introduce a concept too early, and it won’t work.  Too late, and you might as well not bother  (Jangl to Skype).  The candidates are there to serve the island just as companies operate to serve their customers.
  • Black Smoke (Man in Black) / Market Forces: Yes, the black smoke in LOST has always been a destructive force, at least on the surface.  Yes, the man in black in the form of John Locke vowed to destroy the island just this past episode.  But has he really been all that bad for our LOST economy?  He is responsible for weeding out the candidates.  Only four candidates remain going into the final episode.  As consumers, we want the best product possible from the best company, and the island, too, deserves the best protector possible.  The black smoke in its own chaotic way is doing just that.  Market forces can be brutal. While they often destroy seemingly good companies, they also ensure survival of the fittest.  Perhaps, Adam Smith really envisioned a cloud of black smoke when he wrote about his “invisible hand.”
  • Desmond / Big Brothaaa: Sorry, I couldn’t resist the play on Desmond’s catchphrase.  Desmond’s role in LOST‘s conclusion is one of the most intriguing questions leading into the finale.  For our purposes Desmond is the government.  In the show he has displayed a capacity for withstanding strange electromagnetic forces.  He is also tying up loose ends and helping the main characters stay on track to fulfill their purposes.  He has also been described as a failsafe against the black smoke, or market forces.  The government has the ability to do all this:  prop up companies and provide bailouts as a failsafe against financial meltdown.  On the flip side, just as Desmond is impervious to the island’s electromagnetic characteristics, the government can also be unresponsive to consumer outcry.
  • Ben Linus / Hedge Fund: Stretching even further, we can see Ben as a hedge fund.  He never quite seemed to be just another candidate.  He interacted with Jacob to glean any potentially useful information all the while manipulating island newcomers.  He somehow stayed above the fray, but when he did get burned it was huge—he lost his daughter Alex, tantamount to a complete fund collapse.  Going into the final episode, Ben might even be playing the man in black, or smoke monster.  Only a hedge fund manager could be cocky enough to believe he could manipulate market forces.
  • Charles Widmore / Private Equity, LBO: Well, Widmore is a corporate raider.  He literally raided the island in season four and seemingly for a profit.  In this last season his ego seems to have convinced him that only he can counter the smoke monster and save the remaining candidates.  I imagine Henry Kravis believed only he could straighten out “broken” companies battered by the free market back in his heyday.
  • Jack Shepherd / Google: It’s always been about Jack.  The show ends on the 23rd of May.  Jack’s assigned number as a candidate is, of course, 23.  This past episode he seemed to confirm his pivotal role as it all comes to an end by stepping forward to fulfill his destiny.  He might be the chosen one, but he is also responsible for his own fate.  The island needs him, and he needs the island.  He is Jacob’s ultimate candidate—the cream of the crop.  He is Google (or Apple or Amazon or any other wildly successful venture-backed company that you think deserves the crown).

There are probably many holes in this assessment.  It might turn out that this entire metaphor is somehow dismantled in the series finale, but hopefully like LOST itself, it leaves plenty of room for questions and debate.

Talking About My Generation

After watching Jon Stewart battle (more like school) Jim Cramer tonight on “The Daily Show,” I realized how much of an icon he really is to our generation. Joe Scarborough earlier this week called his audience’s nightly response Pavlovian, and I guess he is right to some extent. Jon Stewart understands, or at least understands how to manipulate, us. Either way, it struck me how much he ‘gets’ us.

That got me thinking, I am not sure about the exact age limitations of my generation, but I would consider anyone that can relate to Jon Stewart at least up for consideration. So what other criteria is required to be met to be part of this generation? Not sure, but so far, I think my generation must at least be able to relate to these five moments/icons/whatevers in some fashion:

  • “The Daily Show with Jon Stewart”
  • Barack Obama
  • Facebook
  • YouTube
  • 9/11

Killing two birds with one stone, here is a video clip of Jim Cramer on “The Daily Show” from YouTube. The clips can be painfully biting. Viewer discretion is advised.